Tuesday, October 25, 2011

91 Magazine


 a beautiful new magazine launched today! 91 Magazine is a uk based publication to be released quarterly. I love its vintage focus. Caroline of Patchwork Harmony, as well as the rest of the team, have done a breathtaking job on the first issue.
 ~ Im so excited to have an image included in their article about antique marmalade jars. i love the opening reference to Alice in Wonderland...

looking forward to the next issue. thank you caroline & ellie 



Monday, October 24, 2011

Wednesday, October 19, 2011

ode to chemex

i think i must have breakfast on the brain... the mornings here in san francisco have been spectacular, clear and bright and crisp and i have been soaking up every glorious moment. I also switched over to a chemex coffee pot for the morning's wake-up call. I have to say after using a french press the chemex is the bees knees! 
Im more than a little obsessed with it, both from a perfect cup angle and a design perspective. I love its shape and the way it looks all set up with the paper filter and rich coco-black coffee inside & to top it all off that little wooden collar and rawhide tie. I think its so chic. 
 anatomy of the chemex.



whats funny is that until i came to sf (i also think grad school had something to do with it) i didnt even drink coffee! but with such a strong culture around the stuff here on the west coast i acclimated rather quickly and have surely been making up for lost time. 





images can be found on my Chemex pintrest board

Tuesday, October 18, 2011

morning.

my morning in three photos. it was up and out before dawn for the flower market so a little treat when i got back home. swedish pancakes. 

Monday, October 17, 2011

American Modern

i have been spending a lot of time with Thomas O'Brien's "American Modern". I know the book has been out for a while and you are probably familiar with it by now, but I just cant seem to get it out of my system now that its in my house. 
I am particularly drawn the the two houses that O'Brien has designed for himself - a 1930's era apartment in Manhattan and a stunning federal colonial estate upstate that was once a boys school. There is so much to look at in each of the spaces (in fact he shows both incarnations of his city apartment so its really like seeing three houses). I admire his ability to be true to each of the spaces with such strict editing that they look as undersigned and unworked as you would want them to be. This I think is a skill which takes much practice and strictness. 
I love how we can see his progression as a designer through these three spaces. His first incarnation of the 1930's apartment is very strict indeed, beautiful and effortless but you can visibly see how restrained he was in this first apartment. I love this. Its like getting a glimpse into the studio paintings of a great master, that timeline of inspiration to change fascinates me in every medium. 
It seems that in his Academy (the name of his upstate house) project he lets his strictness (but not his keen editing eye nor his mastery of textiles and mixing of periods) relax a bit and I just cant get over the results. It feels so personal but I could easily see myself living there as well.  I especially love how all of his spaces feel so gender neutral, the perfect balance. 
 

If you havent spent time with this book I highly reccomend it. I keep finding myself thinking about an image or phrase from the pages and going back to flip through and find what I've been thinking about.